United States Grand Prix - Austin
Circuit of the Americas, Austin, Texas, United States. 5.513 km, 20 corners, Anticlockwise.
Twenty corners, and several of them are quotations. Circuit of the Americas was designed as a greatest-hits record, with Turns 3 to 6 modelled on Silverstone and other sections nodding at circuits elsewhere.
What makes it its own thing is the ground it was built on. The run from the grid to Turn 1 climbs at over eleven per cent, with the apex on the crest, so drivers turn in without seeing where they are going. Photographs of it look exaggerated. They are not.
Two editions. Classic puts a black track on matte white. Midnight puts a red one on matte black. Three frames, black, white and oak effect. The acrylic is recycled, cut at 6 mm and hand-fixed so the track stands off the page rather than sitting on it. Signed on the back by whoever made yours, and boxed ready to give.
Choose options
United States Grand Prix - Austin
Circuit of the Americas. Austin, Texas, United States. 5.513 km, 20 corners, anticlockwise. First championship race in 2012.
The run to Turn 1 climbs a gradient of over eleven per cent, with the apex on the crest. Turns 3 to 6 are modelled on Silverstone's Maggotts and Becketts.
Three frames. One price.
We now offer three frame options to better suit your style.
Choose the one that suits you:
- Black. The original. It disappears into the artwork and lets the track carry the piece.
- White. Lighter and quieter. Best on a darker wall, or beside other white-framed work.
- Oak Effect. Warmer. It sits well with wood in a room.
Where it goes.
One size across all fifteen circuits, so a second hangs beside the first without any arithmetic.
Print 30 × 40 cm (11¾ × 15¾ in)
Framed 32 × 42 × 3 cm (12½ × 16½ × 1¼ in)
HOW IT IS MADE
Not a print. A layered object.
The circuit information is UV printed onto matte white acrylic. The racetrack itself is laser-cut from 6 mm acrylic and fixed above it by hand, one piece at a time.
That gap between the two layers is the point. It catches the light, and it holds a shadow that a flat print cannot.
ONE DECISION
Three frames. One price.
The artwork does not change with the frame. The frame decides how loudly it sits on the wall.
Black
The original. It disappears into the artwork and lets the track carry the piece.
White
Lighter and quieter. Best on a darker wall, or beside other white-framed work.
Oak Effect
Warmer. It sits well with wood in a room.
SMOOOOTH OPERATOOOOR
We didn't stop at the front; we've raced all the way
Signed by the maker
Each piece is signed at the back by the person who cut your track and fixed it down, by hand, in Dubai.
It looks like a gift before it opens
Every City Track travels in its own box, making it beautifully ready to be gifted.
Before you buy it
Raised. The circuit information is UV printed on matte white acrylic. The racetrack is laser-cut from 6 mm acrylic and fixed on top of it by hand, so it stands proud of the print and casts its own shadow.
Black disappears into the artwork. White is lighter and works on a darker wall. Oak Effect warms the whole thing up and suits a room that already has wood in it. All three are the same price, so pick for the room rather than the budget.
Fifteen circuits, all the same size and the same price, so a second one hangs beside the first as though it was always meant to. Most people who own one own two.
Yes. Add it in the order notes at checkout, along with the date if it is for one. We write it onto a card and put it in the box. No prices appear anywhere in the packaging.
Yes, across everything we make, sourced from Perspex, GreenCast and Douchamp. The cities we love deserve a brand that looks after them.
Yes, and most people do. Leave 5 to 8 cm between frames and centre the group rather than each piece. Every circuit is the same 30 x 40 cm print in the same 32 x 42 cm frame, so a row of them lines up without measuring.
Write to us and tell us which one. We add circuits when enough people ask for the same one, and we will let you know when it lands.
No. Fixings and a hanging guide are in the box, and it takes about five minutes.
THE REST OF SILUET
Two other ways to keep a city.
City Silhouettes
The original line. A skyline cut from a single sheet of recycled acrylic and left unframed, in matte black, gold or silver, across three sizes.
See the skylinesCity Lights
The same skyline, lit from within. USB-rechargeable, up to 48 hours of light on a three-hour charge. Eleven cities.
See the lit cities